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��The estimation of potential losses that could arise from adverse changes in market conditions is a key element of risk management.� For financial institutions and corporate treasuries across the world, Value at Risk (VaR) is rapidly emerging as the dominant methodology for estimating precisely how much money is at risk each day in the financial markets.�However, the communication and application of VaR is a field in which the signal to noise ratio is not high.� there is neither a widespread intuitive understanding of VaR in the market, nor an appreciation of the practicalities of its implementation and limitations.�Mastering Value at Risk will close that knowledge gap, introducing this potentially powerful methodology to those most in need of its benefits, and helping all those who encounter VaR to use it wisely.

• Sales Rank: #1907522 in Books
• Published on: 1998-10-25
• Original language: English
• Number of items: 1
• Dimensions: 8.90" h x .90" w x 6.80" l, .90 pounds
• Binding: Paperback
• 256 pages

From the Back Cover

“This book provides a solid foundation for an understanding of Value at Risk from both an internal and a regulatory perspective, which should be invaluable as both an initial read and also as a continuing source of reference. Keep this by your side as a roadmap through the jungle of competing models, mathematical formulae and erudite statistics.”

- Dr Richard Flavell, Director, Lombard Risk Systems

�

“Cormac Butler has the distinct advantage of being a trainer in the subject, which is definitely the best assurance that he is fully up-to-speed in this complex and constantly changing field.”

- Dr D C Gardner, Chairman, Birchin International plc

�

The estimation of potential losses that could arise from adverse changes in market conditions is a key element of risk management.� For financial institutions and corporate treasuries across the world, Value at Risk (VaR) is rapidly emerging as the dominant methodology for estimating precisely how much money is at risk each day in the financial markets.

�

However, the communication and application of VaR is a field in which the signal to noise ratio is not high.� There is neither a widespread intuitive understanding of VaR in the market, nor an appreciation of the practicalities of its implementation and limitations.

�

Mastering Value at Risk will close that knowledge gap, introducing this potentially powerful methodology to those most in need of its benefits, and helping all those who encounter VaR to use it wisely.

�

Key topics examined include:

• A practical introduction to Value at Risk
• Value at Risk as a Tool in Supervisory Regulation
• A profile of VaR methods, how matrices are used to calculate VaR and a comparison of the variance covariance approach with other methods
• VaR on forward rate agreements
• The risk sensitivities of options
• Applying VaR principles to Credit Control

Excerpt. � Reprinted by permission. All rights reserved.
Preface

There is little doubt that, over the past four years, the profession of Financial Risk Management has grown considerably. Banks have set up specialist risk divisions whose function is not only to measure risk, but also to control it. Value at Risk has an important role to play here. Those who have a sound grasp of its principles, and who understand the unique nature of derivative risk, are in a better position not only to trade properly, but also to avoid contributing to the huge losses that many major banks have suffered in the last few years. Value at Risk is not only of interest to risk practitioners, but also to traders who want to trade profitably and, of course, to graduate and post-graduate students who want to become derivative traders, or who want to specialize in risk management. Recently, the Futures and Options Association has recommended that directors of major banks become actively involved in policies of risk management, rather than to delegate them, which is the current practice of many banks. A good grasp of VaR is, therefore, essential for this sector as well.

Mastering VaR is designed for the practitioner. Today, most practitioners recognize the importance of an interactive book, which encourages active as opposed to passive learning. Mastering VaR uses Excel spreadsheets to achieve this. If you have Excel available, you will be guided toward setting up a simple but illustrative VaR system. If you do not have Excel, the examples are designed so that you can follow them with relative ease and so at least understand how VaR systems operate.

A common complaint among practitioners is that, although there are many books on VaR, few are accessible to the non-academic. As one colleague put it, "It seems as though all writers in risk management are academic professors trying to impress more senior academic professors." In a practical world, many of the articles and books on VaR will lose the attention span of busy traders and practitioners who do not have a post-graduate degree in mathematics or statistics. Clearly, there is a gap in the market for a book which sets out, in digestible blocks, what VaR is, its limitations, and how to apply it.

The book is designed to give readers a practical insight into VaR and what this latest risk-measurement system is trying to achieve. In the first chapter, the concept of VaR is explained. You will be introduced to the concepts of volatility, normal distribution, and correlation. There are a number of practical but simple examples of each of these concepts. By the end of the chapter, you will have an intuitive understanding of the basics of VaR.

In Chapter 2, we examine why regulators and banks have found it necessary to develop a VaR system. We give you the regulators' perspective and the need for banks to "self-assess" their own risk with a view to calculating capital adequacy. We examine the role of the capital adequacy and why the existing framework is not the most suitable for measuring risk. The chapter also gives some insight into the Basle Committee and the evolution of self-assessment in terms of risk measurement.

In Chapter 3 we get down to the practical issues of risk measurement and build your knowledge of volatility and correlation (already introduced in Chapter 1). The idea behind this is to show you various approaches to the measurement of VaR and to illustrate the computational challenges of dealing with large portfolios. This chapter is to a large extent an interactive chapter where you can (if you have spreadsheets) build up a VaR measuring system which almost incorporates the broad features inherent in real VaR packages. Those who do not have spreadsheets will nevertheless to be able to follow the examples without any difficulty. Although the chapter appears very mathematical, we assume only a basic knowledge and direct nonmathematical readers to two small appendices which explain in simple terms how matrices operate.

In Chapters 4 and 5 we illustrate how fixed income products are "decomposed" and mapped onto weighting matrices for the purpose of risk measurement. Swaps, swaptions, and forward rate agreements are discussed in detail, in order to illustrate the complexities and how we can exploit natural hedging. We also compare VaR risk measurement with the more traditional forms of risk measurement, such as duration and convexity.

Chapters 6, 7, and 8 concentrate on risk measurement for options. In Chapter 6 we illustrate the unique risk nature of options and emphasize the "Greeks". In Chapter 7 we outline some of the popular strategies in which option traders engage and their risk implications. Chapter 8 then illustrates the weaknesses with the standard variance covariance approach and introduces a new method of risk measurement: Monte Carlo simulation. The principles of VaR are not just confined to market risk. In Chapter 9, we show how we can apply VaR principles to the estimation of credit risk. In particular, we look at CreditMetrics and the growth in the use of credit derivatives.

In Chapter 10, we concentrate on volatility forecasting and estimation. We illustrate the unique nature of volatility and the various models used by practitioners In particular, we talk about GARCH and compare this method to the exponentially weighted moving average method, as adopted by RiskMetrics. Finally, in Chapter 11, we look at the particular problems with modeling risk in general and in, particular, the pitfall of overreliance on models to measure risk.

Questions & answers

We have launched a new website, answerback.org, to deal with the most popular questions and queries that readers have raised, after reading Mastering Value at Risk. If you are stuck on any area, please send your question to us via the website. You will also see questions and answers from other readers.

Most helpful customer reviews

4 of 8 people found the following review helpful.
Easy comprehension
By A Customer
This is what we often call "A cook book". It teaches us how to implement the risk valuation step by step.And it does provide a comprehensive way for us.But I still think the writer exclude the operaton risk and liquidity risk is a little....Since this is a dynamic world and there is a great possibility for us to face the extreme situation very often compared with the used-to- be.The LTCM is one of the case for the liquidity risk.So people have to think how should we cope with such a situation. Especially for the people who live the east Asia,we export the financial contraction,so the liquidity risk is one of the serious problem we would often face....So....This is still a great book....but perhaps the content is too little for us...

10 of 10 people found the following review helpful.
A practical book on VaR
By Aaron F. De la Rosa
Mastering Value at Risk is 80% practical and 20% theoretical. However, there are a lot of mistakes, specially printing and calculation mistakes. For example, page 24, 25, etc. ambiguous exercises. I require professional solved cases and applications of the real world. Back testing and stress testing themes present a poor development.
There is a great practical case on EWMA, but it can not be compared to GARCH model, because there is not a practical case on GARCH. There is no useful application. This model is only mentioned and explained theoretically. On the other hand Montecarlo Simulation presents a certain confusion. It's unclear and imprecise.

Finally, at the end of the book an address and e-mail are written in order to make contact with the author, but such an e-mail doesn't exist. It was impossible for me to contact Cormac Butler by means of that e-mail. Besides, there is a website in order to send your questions and queries named answerback.org. It was not possible for me to access this website.
Well, the book is good for a reader used to calculate VaR, not for beginners, because of printing errors and calculation mistakes. You must to identify them before to continue the next lesson and theme. Well, my rating to this book is 3 stars.

5 of 5 people found the following review helpful.
Until something better comes along. . .
By Polymath-In-Training
The other reviewers are correct about the errors. The results of Mr. Butler's formulas sometimes don't match the formulas themselves which in turn don't match his results in the spreadsheets. Also, the grammar, particularly the punctuation, leaves much to be desired. This book had either a poor editor or no editor.

However, Mr. Butler is the only author to write a book that shows actual real-world VaR calculations. The other books give plenty of theory, but never enough detail to enable you to do your own VaR calculations. So until something similar and better comes along, this book will have to do. And really, the errors in the spreadsheets are not that hard to spot if you just follow the text and if you are aware that the errors are there.

See all 14 customer reviews...

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[T213.Ebook] PDF Ebook The Golden Trade of the Moors: West African Kingdoms in the Fourteenth Century, by E. W. Bovill, Edward W. Bovill

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An account of the golden trade of the Moors, and a source book on Saharan trade routes, caravan organization and Sudanese history. The author covers anthropology and economic geography as well as history, as he examines and explores the hot little towns, sharp traders and the brutal rulers. He seeks to encourage and inspire a generation of scholars to discover more about parts of Africa still surprisingly little known to the outside world.

• Sales Rank: #232974 in Books
• Brand: Brand: Markus Wiener Pub
• Published on: 2009-07-18
• Original language: English
• Number of items: 1
• Dimensions: 9.02" h x .74" w x 5.98" l, 1.12 pounds
• Binding: Paperback
• 332 pages

Features

• Used Book in Good Condition

Review
"An utterly enthralling, scholarly study . . . very blunt about all the hot little towns, sharp traders and the brutal rulers who figure in this book-but Bovill's truths turn out to be splendidly romantic. -- The New Yorker

"Bovill is a gifted teller of tales . . . it is a delightfully written and well-organized account of a vast and neglected field of history . . . a unique source book on Saharan trade routes, caravan organization and Sudanese history. . . . Mr. Bovill not only reveals a firm grasp of history but of anthropology and economic geography." -- New York Times

"Bovill writes, as a historian, of the Sahara's golden age, threading his way clearly and with learning through a maze of Berber and Sudanese dynasties. . . ." - -- Spectator

About the Author
About Edward William Bovill: The late Edward William Bovill was a historian and author of numerous books.

About Robert O. Collins: Robert O. Collins, professor of history at the University of California, Santa Barbara, is the author of Shadow in the Grass: Britain in the Southern Sudan, 1919-1956 and The Waters of the Nile: Hydropolitics and the Jonglei Canal, 1900-1988, as well as 24 other books.

Most helpful customer reviews

1 of 1 people found the following review helpful.
Five Stars
By Andréa Clemente Palmier
the book was in a good state, as described by the seller

2 of 2 people found the following review helpful.
ANother great read
By Mom of many Sons
Another book from my African CIV class tht was "looking" to be boring and ended up being enthralled by it... it is not common that you get a textbook you loose yourself in.

12 of 13 people found the following review helpful.
An easy to read and in depth history of northern Africa
By events3
Bovill's THE GOLDEN TRADE OF THE MOORS provides a broad description of the history of North & West Africa from the Tell,

the high plateau and the Sahara to the Sahel, and from the Sudan to the bottom of North Africa's hump. Bovill, relying on

written history (and some archaeology), traces the history of northern Africa from pre-Carthaginian times to the

beginning of the 20th Century. We are introduced to Carthaginian interests in black slaves and Roman trade (and warfare)

with the Garamantes, Vandals, Byzantium's involvement in the region and the subsequent Arab conquest and spread of Islam,

the rise of Ghana and Mali, the Sanhaja Berber's Islamic puritan dynasty (Almoravids) which spread its control across

Northwest Africa and into Muslim Spain before being overthrown by the Almohads (another puritan sect), the Almoravid

invasion of Ghana, the rise of Timbuktu, the rise of the Songhai Empire, the (Moroccan) Al-Mansur's rise to power and

wealth and the invasion of the Sudan (especially of the Songhai Empire), the increasing independence of the the Berber

governors of the Sudan and the growing independence of the Arma (mulattoes), the rise of the Kanem and Bornu and of the

Hausa states, the Fulani religious and slave wars and their ultimate demise as the Europeans began to extend their control

over the region.

Northern Africa, as Bovill tells us, is occupied by both light-skinned and dark-skinned people. The former include the

late-coming Arabs and the ancient residents - the Berbers. The Berbers can be sub-divided into the Western tribes of the

Botr (including the Zenata who formed the important Marinid dynasty of Morocco), the Branes (including the very powerful

Sanhaja peoples), the numerous and widely spread Tuaregs of the central Sahara and a few other tribes. Of these, the first

two are westernmost and are generally called Moors (thereby distinguishing them from the more independent Tuaregs and the

Moriscos who returned from Spain during and after the Spanish reconquest of al-Andalus). The Tebu, Fezzanese and Haratins

and Zhagawas make up the majority of the people of the Sahara who were dark-skinned. Further South, various dark-skinned

people from the Wolofs of Senegambia, the Soninke (of ancient Ghana) the Mandingo (of ancient Mali) to the Songhai populated

the region.

Bovill also introduce us to the famous historian and legalist, Ibn Khaldun and various European and Muslim travelers through

the region: Ibn Battuta, Leo Africanus (al-Hassan ibn Muhammad al-Wazzani) and Mungo Park. The mutual importance of the

Berbers and Europeans in trade matters is also discussed. The Europeans needed gold (to trade in the East) and slaves from

Africa while the Berbers needed military and other goods for local and trans-Saharan warfare as well as silk, spices, sugar

and the like.

Although the book provides a substantial amount of information, it is sometimes a less than complete history. For example,

the rise of the Banu Marin (Marnids) and their dynasty in Morocco and Ottoman influence and control east of Morocco are

barely mentioned. On the other hand, the discussion of the arrival of the Bedouin tribes and their relation to the lack of

habitability of much of the Tell (Africa's Mediterranean coastline) was especially interesting.

Well written, easily read and highly informative, this book was well worth reading and should sit on the book shelf, next to

Hugh Thomas' TRANSATLANTIC SLAVE TRADE and Thornton's AFRICA AND AFRICANS IN THE MAKING OF THE ATLANTIC WORLD, of any

Africanist.

See all 5 customer reviews...

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• Create page layouts using functional options in Scribus
• Create a master page such that the changes are automatically updated in the rest of the pages too.
• Apply text and picture frames for accurate placement of text and images
• Use path tools and coordinate system to set the frame shape
• Links one frame with another if you want the text to fill all the pages
• Use paragraph and character style to make text handling more easier
• Import pictures of many types, including JPEG, PNG, PSD, TIF to make your documents appealing.
• Set the image resolution, layers, and clipping paths to construct accurate images
• Apply interesting effects to your images such as to make the text flow around an image or another frame
• Import content from OpenOffice document such as text, graphics or tables.
• Use shades and transparencies to predict perfect colors of the images to get improved image effects after printing.
• Set the incredibly powerful color management system to work trustfully with your colors and pictures
• Extend Scribus with python scripts using the Scribus API

In Detail

Scribus is an Open Source program that brings award-winning and inexpensive professional page layout to desktop computers with a combination of "press-ready" output and new approaches to page layout. Creating professional-looking documents using Scribus is not a cakewalk, especially with so many features at your disposal, it's hard to know where to get started!

Scribus Beginners guide walks users step by step through common projects, such as creating a brochure,newsletter, business cards and so on. It also includes guidelines on starting a web newsletter and online PDF (Adobe Acrobat format) newsletter along with basic scripting to extend Scribus as per your requirements.

This book begins with the simplest tasks and brings you progressively to adapt your workflow to the most efficient tools. It commences with the description of the graphic tool chain and an overall chapter on how to draw a simple and attractive business card. You'll then see how to manage the pages of your document and organized their structure thanks to guides. Then being invited to fill them with text, you'll be able to import, set text style as well as use replacement and hyphenation tool. Pictures or vector drawing will be added to the documents too. You'll be taught to choose the best format at the best time, modify or distort the shapes to get very custom documents. You will also learn how Scribus handles advanced color features such as transparencies, overprinting, spot colors precisely and be sure they are set well for a print result without bad surprise. At the end, you'll know to produce a perfect PDF file, be it for print jobs or web with effects, buttons and javascript interactivity, extend the document capacities as well as Scribus tools with simple programming especially with the python language.

• Sales Rank: #572270 in Books
• Published on: 2010-12-07
• Released on: 2010-12-07
• Original language: English
• Number of items: 1
• Dimensions: 9.25" h x .79" w x 7.50" l, 1.32 pounds
• Binding: Paperback
• 348 pages

About the Author

Cedric Gemy

Cedric Gemy is a french freelance graphic designer and training advisor (or should i say edult educator, i don' t see the difference) who lives in Rennes but travelling a lot to teach Scribus, Gimp and Inkscape. He works with those softwares since around 2003. Besides is this freelance activities, he also teach communication design in some french universities and private schools. He is an active member of Scribus and Inskcape team, involved in the user interface refactoring project of the first and in the documentation of the last. He is a creator of French Free Graphic Designer Association (AFGRAL) and FLOSSMANUALS Francophon. This is his 5th book for he already wrote two about Gimp, one published under GPL licence, one about Inskcape and one in french about Scribus.

Most helpful customer reviews

36 of 36 people found the following review helpful.
A great tutorial for Scribus
By John Jordan
There are really two manuals currently available for Scribus, not counting Scribus Kompakt that is available only in German. The first was Scribus, the Official Manual by Gregory Pittman, Christoph Sch�fer, et al. (ISBN 978-0-9560780-0-1). At around $45 it is a bit expensive, although profits go to further the development of Scribus, so when I bought it six months ago I didn't mind paying the price. The book here by C�dric G�my is the second, published in December, 2010. I have been through both manuals thoroughly. Both are worth having if you're serious about desktop publishing with Scribus, although each serves a somewhat different function and approaches the subject differently.
G�my's book is less expensive, especially if you buy the e-book format (downloadable in EPUB and PDF formats, available only at the publisher's website for around $25). Lest you think that you should buy the Pittman and Sch�fer book so as to contribute to the Scribus project, C�dric G�my is a frequent contributor to Scribus and has spent a lot of time helping with its development. I don't have any problem if his bank account increases a bit for his efforts.
G�my teaches you how to use Scribus in a more or less tutorial fashion, where each chapter progresses in difficulty. In that respect it is less of a reference book than the Pittman and Sch�fer manual. In fact, G�my's book doesn't even have an index. On the other hand, if you are a beginner, a tutorial is exactly what you need. And G�my does an excellent job of taking you by the hand, showing you how to do something step by step. He even includes quizzes at the end of each chapter. You can literally start at the beginning of the book and have Scribus pretty well mastered by the time you get to the end. "Beginner's Guide" is an apt title for G�my's book.
Another advantage of G�my's book is that it targets 1.3.5, where the Pittman and Sch�fer book is written for 1.3.3.14. If you're not familiar with Scribus version numbers, 1.3.3.14 is the official stable version as of this writing (December, 2010), and the development version when G�my's book was written was 1.3.5. The development version is currently at 1.3.9 and will become the new stable version at 1.4.0, due out in early 2011. Therefore, G�my's book covers the new features you will find in the version you are probably going to use.
There are also advantages to the Pittman and Sch�fer manual. For one thing, not being written in tutorial fashion it's easier to look up how to use a specific feature. More importantly, Pittman and Sch�fer include a lot of things about desktop publishing that are not specific to Scribus. For example, do you know the difference between a spot color and process color, or the advantages and disadvantages of TIFF files over PSD files? Pittman and Sch�fer not only tell you about a Scribus feature, but why it was included.
I never attended a brick and mortar school to learn about desktop publishing, but for the past 15 years I have been a charter student at the school of expensive mistakes. I started with PageMaker 4.0 and QuarkXPress 3.1 and have been using layout applications to produce student textbooks ever since. But even though G�my's book is aimed at beginners, I found several helpful hints in it.
Today my favorite layout application is Scribus, not that its commercial competitors don't have a few more features (they do), but being in the open source world my documents are not hostage to forced expensive updates. If you have a substantial knowledge of desktop publishing, buy G�my's book to get a quick introduction to Scribus. If you know nothing about desktop publishing, buy both.

7 of 7 people found the following review helpful.
A delicous feast of Scribus knowledge
By O. Moskalenko
The latest Scribus book - Scribus 1.3.5 Beginner's Guide by Cedric Gemy published by Packt Publishing is a delicious feast of Scribus knowledge for both beginner and intermediate user alike. I approached the book with open expectations and it did not disappoint. An interested person who would spend few days on going through the book from the beginning to the end would find themselves quite knowledgeable about the document layout process from the beginning to the end. Moreover, they would get a lot of useful information with the hands-on experience to go with it on both the basics and some finer points of font handling, color management, PDF output, preparing a document for professional printing, and working with the PDF forms and JavaScript scripting.

The book covers a lot of ground, but every chapter nicely builds on the previously introduced knowledge and its internal logical structure to increase the reader's knowledge without overwhelming them. When important concepts are introduced they are emphasized and when they are reused gentle reminders point the readers to the wider earlier exposition. Almost every concept is followed by some practical experience. This helps the reader solidify their mastery of the material being learned. Throughout the book the main goal of the author seems to be to help the reader to learn how to use the program most effectively to free them to be creative. At ever possible opportunity multiple approaches to accomplish an action are presented from the most coarse to the most precise with standard keyboard shortcuts at the end serving as a cake topping. Sometimes the advice goes a bit too far for a beginner's book suggesting that a user fire up the fontforge to add numeric glyphs to a font if their other options available to them are not satisfactory, but those instances are rare enough to be glossed over.

The style of writing feels like that of Alexandre Dumas, pere - colorful and engrossing, yet sometimes very cultural. For instance, "Have a go Hero" slogan used for the mini-exercises at the end of sections sound reminiscing of "One for all and all for one" and seems to me to be uniquely French. This brings me to my gripe about this otherwise excellent book - it just reads like a high school student's translation from a French original. The result looks like a hurried and at times literal translation effort, which causes the mind of an English reader to pause and figure out what exactly is being said time and again. Moreover, there are places where the translators (as I think Cedric wouldn't have missed something like that in the original text) have unintentionally introduced some potential traps for the unwary reader. For instance, in the "Changing font" section of Chapter 5 it says "Avoiding good fonts ensures as little trouble as possible" even though the author's likely intent was to express the opposite sentiment as the following sentences show. Whatever the reason for poor translation and underwhelming editorial effort, if someone can get over the lingual shortcomings of the book they'd be left with an excellent source of Scribus knowledge and that's what matters in the end.

Just one more thing. I didn't have a paper copy for this review. The PDF Packt sent me looked alright, but the ePub - my preferred format for enjoyable reading on a 6" Sony PRS-600 ebook I used for reading for this review - wasn't prepared nearly as well. Considering the fact that more and more people are switching from the dead tree format to eInk ebooks Packt could really get ahead of other publishers by putting more effort into preparation of the ePub files. As it is the ePub formatting looked amateurish. The images were perhaps the same ones used for the PDF as they were too small for the ePub and nearly impossible to read. Many informational inserts were broken over the page end. Every numbered list had double columns of numbers, which really should have been caught in the proofreading. Most hyperlinks ran out of the pages on any zoom level but the lowest and the Latex code ran out of the pages at every zoom level. However, in the end it was nice to have any kind of ePub, so thanks for the effort Packt!

Salut!

6 of 6 people found the following review helpful.
just for layout
By W Boudville
Imagine, a program that specialises to just doing layout?! At first this might seem overkill; too much of an [unnecessary?] niche perhaps. Yet the book persuasively shows that there is a need for, at least, free software that focuses on layout and does it well.

Gemy forthrightly points out at the start of the book what the functional perimeter of Scribus is. Specifically, you should use a dedicated word processor like Microsoft Office/Word, or OpenOffice Writer, to actually write and spell check any text that you want to put into a PDF document that will have multiple pages and graphics on those pages. Scribus does not attempt to impinge on this text ability. Also, if you need to have photos in those graphics, and you need to do touching up or other enhancements, then use Photoshop or some other equivalent package. And if you need to draw an image, consider using Adobe Illustrator or something similar. It is the integration of drawn images, photos and text into a cohesive layout that is Scribus' remit.

That being said, Scribus can certainly handle many low level useful manipulations that are also handled by those other packages. For example, kerning, which is the altering of white space between letters, can be manipulated explicitly under Scribus. This is useful for the hopefully rare occasions when you need to optimise the appearance of some text under display. Likewise, Scribus can access all the fonts defined under the operating system. Attention has been paid to transparent font management, which eases the explicit burden on you.

The questions ['pop quiz'] at the end of most chapters is a little different from the typical Packt book. It is as though Gemy is trying to imitate an actual 'teaching' text that is used to accompany some college computing class. Not a bad idea. But the questions seem too short and simple. They don't really challenge the reader much, except in the most cursory sense. Better perhaps might have been to have more questions and a gradation of difficulty, to give a serious reader something solid to tackle.

Now consider the translation effort from the original French. True, there are a few awkward turns of phrase. But overall the meaning is quite clear. The translation is well done.

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[E821.Ebook] PDF Download Northanger Abbey, Lady Susan, The Watsons, Sanditon (Oxford World's Classics), by Jane Austen, Claudia L. Johnson

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Northanger Abbey depicts the misadventures of Catherine Morland, young, ingenuous, and mettlesome, and an indefatigable reader of gothic novels. Their romantic excess and dark overstatement feed her imagination, as tyrannical fathers and diabolical villains work their evil on forlorn heroines in isolated settings. What could be more remote from the uneventful securities of life in the midland counties of England? Yet as Austen brilliantly contrasts fiction with reality, ordinary life takes a more sinister turn, and edginess and circumspection are reaffirmed alongside comedy and literary burlesque. Also including Austen's other short fictions, Lady Susan, The Watsons, and Sanditon, this valuable new edition shows her to be as innovative at the start of her career as at its close.

About the Series: For over 100 years Oxford World's Classics has made available the broadest spectrum of literature from around the globe. Each affordable volume reflects Oxford's commitment to scholarship, providing the most accurate text plus a wealth of other valuable features, including expert introductions by leading authorities, voluminous notes to clarify the text, up-to-date bibliographies for further study, and much more.

• Sales Rank: #322612 in Books
• Brand: Austen, Jane/ Kinsley, James (EDT)/ Davie, John (EDT)/ Johnson, Claudia L. (INT)
• Published on: 2008-05-15
• Original language: English
• Number of items: 1
• Dimensions: 5.00" h x .60" w x 7.60" l,
• Binding: Paperback
• 432 pages

About the Author
One of England s most beloved authors, Jane Austen wrote such classic novels as Pride and Prejudice, Sense and Sensibility, Emma, and Northanger Abbey. Published anonymously during her life, Austen s work was renowned for its realism, humour, and commentary on English social rites and society at the time. Austen s writing was supported by her family, particularly by her brother, Henry, and sister, Cassandra, who is believed to have destroyed, at Austen s request, her personal correspondence after Austen s death in 1817. Austen s authorship was revealed by her nephew in A Memoir of Jane Austen, published in 1869, and the literary value of her work has since been recognized by scholars around the world.

About the Editor: The late James Kinsley was Professor of English Literature at the University of Nottingham.


John Davie is Head of Classics at St. Paul's School, London.
Tobias Reinhardt is Fellow and Tutor in Classics at Somerville College, Oxford University.


Claudia L. Johnson is the Murray Professor of English Literature at Princeton University.

Most helpful customer reviews

25 of 25 people found the following review helpful.
A 'nice' collection of early Austen and a few out-takes
By Laura Anne
This book brings together Austen's earliest novel, Northanger Abbey (although it was not published for many years after completion), with some of her earlier works and her final, unfinished, piece Sanditon.
This edition also has a fine introduction, which gives an interesting view of Austen's works and fleshes out some of the details surrounding the three lesser known works.
Northanger Abbey is, of course, the best known of these works, and a review follows below. Of the other three pieces, Lady Susan is the only completed one.
It follows the epistolary format that Austen experimented with extensively in her early career, but ultimately abandons the format, a little disappointingly.
It is an engaging piece, and the Lady Susan of the title is a vivacious, although reprehensible, character. Lady Susan has by far the strongest voice of the piece, but it is unclear whether she is truly intended as the heroine, or whether our sympathies should lie with her hapless daughter Frederica. Lady Susan is certainly a much more determined flirt than any of Austen's other major characters, and much older too (although perhaps not wiser).
The Watsons is a much shorter fragment, also dating from Austen's earlier career. It is darker in tone than her other works, and seems to tend more towards realism. It seems that this may be one of the reasons she chose not to finish the piece, although it seems that she ultimately intended for the piece to have a happy ending.
Sanditon is Austen's final work, begun shortly before her death and, sadly, never finished. The piece appears to have had a great deal of scope, describing the life and a times of the seaside resort of Sanditon. The tone and outlook of the piece are surprisingly upbeat, given the poor state of Austen's health as she was writing.
I hear that authors never like people to pick their early works as their best, but I've always had a sneaking fondness for Northanger Abbey. Luckily, Jane Austen is unlikely to complain about me liking one of her earliest works.
The novel's appeal is its extremely likeable anti-heroine, Catherine Morland. Catherine's appeal is her innocence and above all her fallibility. Of course, none of Austen's heroines are perfect, but Catherine has a charm that Austen's more self-possessed characters like Emma Woodhouse and Lizzie Bennett lack.
For this reason, I would say that Northanger Abbey can be a good introduction to Jane Austen, especially for younger readers, who may identify more readily with Catherine's naivete than with some of Austen's more mature characters.
As ever, Austen is in fine satirical form, but she and her characters stop short of outright mocking the fanciful Catherine and her unfortunate novel-reading habits. As one might expect, the novel ends with Catherine's reform, redemption would perhaps be too strong a term to use here, and Austen allows the imperfect Catherine to shine among a sea of other imperfect characters. (Naturally, some are more imperfect than others.)
One of the novel's stated objects is to satirise the gothic novels of Mrs. Radcliffe and her imitators. For the most part, Austen succeeds admirably, but once again her treatment of the subject is rather gentle. Although not many people these days will read the original gothic novels, I'm sure there are plenty of people out there addicted to contemporary fantastical horror that would crack a wry smile at the story, and be able to identify with 'poor' Catherine.
Perhaps at times the characters do seem to be a little overstated, maybe a little too black and white, but this is a very creditable early effort from Austen, and perhaps some of her characterisation issues can be traced back to her use of the gothic novel as inspiration.
All in all, a fine book, and certainly one for all of those 'almost pretty' girls out there who have their heads stuck inside books at every opportunity.

Overall, this edition makes a good addition to any Austen fan's bookshelf, the inclusion of the lesser known pieces makes an interesting companion to Northanger Abbey.

0 of 0 people found the following review helpful.
If you like Jane Austin you'll like this funny story....
By Debbi D
This book is written by letters to and from the various characters. It's classic Jane Austen. You have to kind of know Jane Austen stuff to "get" some of this. My husband saw the current movie based on this book with Kate Beckinsale "Love and Friendship" and he was lost at first. Then, after awhile he got into it and "got" the humor. But, I was laughing from the start. It's a very fun read if you like J.A.

0 of 0 people found the following review helpful.
I'm glad I bought this because it includes a number of ...
By Someone somewhere
I'm glad I bought this because it includes a number of works by Austen in one package. It's a good buy if you want to expand your Austen reading beyond Pride and Prejudice, Emma, and Sense and Sensibility.

See all 19 customer reviews...

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[O629.Ebook] Ebook Download Rowan Knitting & Crochet Magazine Number 49From Rowan Yarn

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Rowan Knitting & Crochet Magazine Number 49 contains 39 patterns for women using Rowan Purelife Organic Ctton 4 Ply, Rowan Kid Silk Haze, Rowan Fine Milk Cotton, Rowan Siena 4 Ply, Rowan Cotton Glace, Rowan Lenpur Linen, Rowan Purelife Revive, Rowan Denim DK, Rowan Pima Cotton DK, Rowan Summer Tweed and Rowan Purelife Organic Cotton DK yarns.

• Sales Rank: #3951371 in Books
• Color: Rowan-Magazine-49
• Brand: Rowan Yarn
• Published on: 2010
• Binding: Paperback
• 164 pages

Features

• Rowan Knitting Pattern Books
• Issued Date Spring Summer 2011
• Featured Yarn Elsebeth Lavold Bambool

Most helpful customer reviews

10 of 11 people found the following review helpful.
Rowan Organics for Children
By Emerald1773
This is a book that was difficult to locate in LYS (local yarn shops) so had to be ordered on-line, always a gamble with knitting instructions. I was pleasantly surprised. The photos, more than one for each item, were clear and precise enough to see details otherwise in question while also being appealing to look at. The instructions were as clear as most, perhaps requiring caution for a beginning knitter (crocheter) but otherwise easy to follow.
I would have liked a better technical / mechanical description of the yarns, particularly on the cover, as it uses only 2 weights; and perhaps patterns with more variations.
Overall, the photos are appealing; so far the items are coming out within dimensions given if gauge is verified beforehand. Most of the items are knitted; one or two was crocheted. Overall, artistically well-done and encouraging to look at. Patterns cute and creative, medium ability, and some blocking, to construct items.

6 of 6 people found the following review helpful.
Best. One. EVER
By Heidireader
Filled with beauty, variety and fascinating patterns. Lots of inspiration and some very challenging projects. There are a few here that aren't too demanding, but I wouldn't advise this for a beginner unless you're looking to jump fast and far. Beautiful use of color and texture, includes a little of every technique to appeal to your different moods. so far I've just found the need for errata in one pattern, so this is something you can buy feeling secure that your questions will be answered

1 of 1 people found the following review helpful.
Works for other thick and thin yarn brands.
By moira cross
This book has been very helpful for me. I had purchased some thick and thin yarn a couple years ago only to find that there were very few patterns for this yarn if I wanted to make a sweater. Although My yarn is not the Rowan yarn featured in the book, the suggested needle size and gauge are the same. The pictures were also helpful as it was difficult to visualise how the thick and thin yarn would look knitted up as a garment.
I am currently knitting one of the sweaters in the book and my yarn is working fine with the pattern.
I do realize that this is an English publication; I can't help but wish that it included measurements in inches as well as centimeters.

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[V749.Ebook] Download PDF An Inquiry into the Good, by Kitaro Nishida

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A translation of Nishida's earliest book which represented the foundation of his philosophy - reflecting both his study of Zen Buddhism and his thorough analysis of Western philosophy. The book provides an account of this 20th-century Japanese philosopher's ideas.

• Sales Rank: #453706 in Books
• Published on: 1992-01-29
• Original language: English
• Number of items: 1
• Dimensions: 9.00" h x .63" w x 5.39" l, .68 pounds
• Binding: Paperback
• 218 pages

Language Notes
Text: English (translation)
Original Language: Japanese

Most helpful customer reviews

27 of 28 people found the following review helpful.
Brilliant beginning, but...
By Brian C.
This review will divide itself roughly into two sections. In the first section I will attempt to provide a brief summary of Nishida's philosophy as presented in this book which, due to limitations of space, will remain profoundly inadequate. In the second section I will attempt to make a case for also reading Nishida's later works in addition to this work. An Inquiry into the Good is Nishida's first book, and it is also his most popular book. While it is certainly profound in it's own right, and deserves close attention, Nishida's thought underwent a tremendous development throughout his life. So I thoroughly recommend that anyone who reads this book also attempt to get their hands on some of Nishida's later works (especially Intelligibility and the Philosophy of Nothingness: Three Philosophical Essays and Last Writings: Nothingness and the Religious Worldview).

I.

Nishida's ultimate concern in this work, as his title suggests, is with the question of the nature of the good which can be considered an ethical question in the broad sense. This fact is often overlooked because Nishida considers questions about value to be intimately connected with questions about the nature of reality, or what we ordinarily call metaphysical questions. In fact one of the great motivating sources for Nishida's philosophy as a whole is Nishida's attempt to overcome what has become known in the West as the fact/value dichotomy. So in order to address the nature of the good Nishida first has to address questions about the nature of reality. An Inquiry into the Good is not, therefore, a book merely about ethics in the restricted sense of that term. Over half of the book is devoted to attempting to answer metaphysical questions about the nature of reality and so Nishida's primary interest in the nature of the good is often overlooked.

Nishida's approach to metaphysics, however, is unique. Nishida was personally influenced profoundly by zen. Zen is often suspicious of abstract, rational conceptions of reality and instead favors a method of "direct seeing" in approaching reality. This is in direct contrast to the Western method of approach to questions about the nature of reality which rely primarily on logic and rational argument in attempting to determine or uncover the nature of reality. Nishitani Keiji summarizes these different approaches well in his book on Nishida. Nishitani writes, "The sense of quest...as it appears in Plato's dialogues entails a spirit of inquiry aimed at the gradual discovery through dialogue of something new, something not yet known to the participants. This spirit appears as the standpoint of pure reason that seeks to uncover something new and completely unknown, to discover according to the laws of logic." The Western method usually begins with premises accepted as self-evident, or with facts known directly through sense experience, and through the use of reason and discussion attempts to deduce other unknown, or not immediately self-evident truths through the methods of valid reasoning as determined by logic. In other words, the Western method attempts to transcend "phenomenal" reality, or what can be immediately known, and to uncover "noumenal" reality, which cannot be directly or immediately known, through the use of reason and logic. This is, broadly speaking, the method of the empirical sciences.

Nishida, on the other hand, argues that thinking (itself a part of the phenomenal world) does not possess any inherent ability to transcend the phenomenal world and reveal noumenal reality as it is "in itself". Nishida, therefore, adopts a different method in approaching metaphysical questions. We turn again to Nishitani who writes, "In order to grasp something in it's actual form, we must distance ourselves from the discriminating, relativizing self...The standpoint of the conscious self consists in setting up an opposition between the self and things so that we have a self on the one hand and things existing apart from the self on the other." In order to grasp reality as it is we must overcome the standpoint of the conscious self and adopt the standpoint of the non-ego which, as Nishitani writes, "smashes that pattern we call self to become one with the Life of the universe, of nature. When one stands there, all things, just as they are, become the actual form and actual reality that they are...This is very different from materialism, which is not a standpoint that thinks things by becoming them." There is no doubt that this method will have an idealistic sound to most Western readers (more on this later). But correctly understood Nishida's views cannot be reduced to either idealism or realism as these are commonly understood.

So what conclusions does Nishida reach in regard to the nature of reality by following this method? Briefly stated Nishida arrives at a vision of reality as "an independent, self-sufficient, pure activity" which is held together by what Nishida calls (in this translation) "a certain unifying reality" at the base of experience. Nishida, therefore, opposes a vision of reality conceived as a relation between passive "things" interacting with eachother, and whose motion is imparted from some outside source. Reality for Nishida is always active and self-developing.

What implications does this have in the realm of ethics? Again, to state things as briefly as possible "If we regard this unifying power [the certain unifying reality] as the personality of each individual, then the good resides in the maintenance and development of personality as this unifying power." To conceive of the good as the "maintenance and development of personality" may at first appear to be a very self-centered ethics. But this would be to misunderstand Nishida entirely. It would take me too long, and too far afield, to explain fully why this is a misunderstanding but to put it simply, Nishida argues that it is only by giving up our usual "self-centeredness", which places the ground of our activity in the conscious self already isolated from an objective world of things and other people, that we are able to unify our activity with the ground of our true personality, or the unifying power at the base of reality, which Nishida also calls God. Nishida sees the ultimate good for the human being in a surrendering to God, or in a becoming one with the activity of the universe.

This is a very simplistic overview of Nishida's theory of the Good and does not come close to doing it justice. But even in this simple form it has drastic implications in perhaps unexpected ways. I have recently, for instance, been pondering the implications of Nishida's theory of the good for the field of economics. It seems to me that Nishida's theory provides a powerful alternative to more hedonistic theories of human motivation and economics based on the principles of marginal utility and has the potential to reconcile the liberal ideals of individual liberty with what is usually referred to as the welfare state. This could have interesting implications for our current political situation in the United States. This is an area in which one might not at first excpect Nishida's thought to have much to say, but I think it does.

II.

Nishida himself summarizes the shortcomings of his first book in his preface, "As I look at it now, the standpoint of this book is that of consciousness, which might be thought of as a kind of psychologism. Yet even if people criticize it as being too psychological, there is little I can do now. I do think, however, that what lay deep in my thought when I wrote it was not something that is merely psychological." Psychologism is a doctrine that attempts to ground the laws of logic in empirical psychology. Carried to an extreme this view tends towards various forms of relativism since it attempts to base logical laws, which are supposed to be ideal laws valid for all time, on empirical facts. Nishida attempts to overcome any psychologistic tendencies in his early thought in his later work by developing his notion of logical spaces, or basho.

I cannot summarize Nishida's later books here but, in my opinion, another short-coming of Nishida's choice to begin from "the standpoint of consciousness" is that it opens his thought to being misinterpreted in an idealist fashion. It is almost impossible for any Western reader to interpret Nishida's statement that true reality consists in phenomena of consciousness in anything but an idealist way. Since idealism as a metaphysical system is largely out of favor this might make Nishida's metaphysics seem quaint and irrelevant. Nothing could be further from the truth in my opinion. Nishida develops (along with Heidegger and Merleau-Ponty) one of the most profound critiques by any philosopher of the subject-object dichotomy and the metaphysics that are based on this dichotomy. But this is clearer in Nishida's later works. In Nishida's later works it is clear that the opposition between subject and object is not overcome by collapsing or absorbing the object into the subject (which is idealism). This book still lends itself to misinterpretation in that regard.

So while I highly suggest that anyone with an interest in philosophy buy this book and read it carefully, I also highly suggest that anyone interested in Nishida do all that they can to get their hands on Nishida's later works.

And as one final note. Many reviewers have argued that it would be helpful to have an understanding of zen when approaching this work. It would definitely be helpful to know something of zen when reading Nishida, and zen is certainly worth studying in it's own right, but in my opinion an understanding of Kant, and especially his notion of the transcendental unity of apperception, is more important when approaching this work than an understanding of zen. I think someone with a decent understanding of Kant will have an easier time unraveling this work than someone who limits themselves to studying zen.

1 of 1 people found the following review helpful.
Good deal
By Fred Evans
just got another copy of Nishida's first work. Every time somebody sees me reading this book, for years now, they borrow it and I never see the book again. Got this one used, good shape, good shipping, not too much writing in it, I am happy. Gonna stay home with this copy until I finish it again! This book is NOT about Zen at all. If you are new to Buddhism get this for later use. You will use it! Its mostly a compilation of the thoughts of Satoru.

8 of 13 people found the following review helpful.
A tedious read, with some real gems within.
By Anton Sevilla
Nishida's book was a bit tedious. The translation seems good and his writing style isn't deliberately cryptic. Familiarity in Eastern thought, particularly Zen Buddhist thought, greatly aids making sense of what he says. Also a familiarity with Kant and Hegel (whom he responds to) and the Western tradition would be greatly helpful.

Aside from his key point on reckoning with things in their immediacy (paraphrase), I found quite a gem in his description of God in his later chapters -- a view of God even atheistic materialists might agree with.

All in all a good book, lacking in style but not in substance.

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