Jumat, 05 Juli 2013

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The Tea Party in the Woods, by Akiko Miyakoshi

The Tea Party in the Woods, by Akiko Miyakoshi



The Tea Party in the Woods, by Akiko Miyakoshi

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The Tea Party in the Woods, by Akiko Miyakoshi

When a young girl named Kikko realizes her father has forgotten the pie he was supposed to bring to Grandma's house, she offers to try and catch him as he makes his way through the woods. She hurriedly follows her father's footprints in the snow and happens upon a large house she has never seen before. Curious, Kikko peers through the window, when she is startled by a small lamb wearing a coat and carrying a purse. Even more surprising, the lamb speaks, asking her in a kind voice, ?Are you here for the tea party?? Suddenly, Kikko realizes her trip through the woods has turned into something magical.

Award-winning author and illustrator Akiko Miyakoshi has beautifully crafted an original fairy tale picture book that will delight and enchant. The unique visual presentation features mostly black-and-white art with the occasional use of red or yellow to help guide readers through the pages. Kikko's blend of courage and reticence along with her inquisitive nature makes her a character children will relate to, and the many unexpected twists and turns of her adventure keep the intrigue growing. The ambiguous ending --- in which it is not clear whether Kikko imagined the tea party or if the animals simply disappeared back into the woods --- provides a terrific opportunity for children to weigh in on what they think happened. This book also could launch classroom conversations about children's own experiences of being trusted with big responsibilities.

  • Sales Rank: #154057 in Books
  • Published on: 2015-08-01
  • Released on: 2015-08-01
  • Original language: English
  • Number of items: 1
  • Dimensions: 10.13" h x .38" w x 8.50" l, .0 pounds
  • Binding: Hardcover
  • 32 pages

From School Library Journal
K-Gr 2—This work feels new and old, combining motifs from traditional and canonical literature. Elements from "Red Riding Hood" and Lewis Carroll's Alice's Adventures in Wonderland have the strongest presence with possible nods to "Goldilocks" and the less-known tale of the "Twelve Months." Kikko chases through the woods after her father with a pie for Grandma. Finding herself outside a different house, she joins a tea party. When her animal hosts hear that her pie had been crushed, they assemble an assorted dessert and parade with her to Grandma's house before disappearing. The translated text seems a bit flat and stilted in comparison to the fresh story concept and the pacing tends to lag at times, occasionally pausing on uninspired dialogue. Overall, the illustrations work well in some aspects and fall short in others. With a blend of realism and surrealism, Miyakoshi's style is reminiscent of Anthony Browne. The texture of the charcoal on paper gives the dark trees of the forest a wavery roughness as the author-illustrator artfully creates a barren landscape with the adept use of value, white space, and perspective. Although the stark bleakness makes sense for the outdoor scenes and Miyakoshi's tender grayness fits the real-life frame, the tea party scenes have a static, dusty quality for example, when the animals stare upon the newcomer through what might be described as a dry haze. With the restraint of the monochromatic palette and spot color, the wildly shifting perspective feels unnecessarily dramatic. The greatest disappointment may be that Kikko's minimal facial features occasionally read as inappropriately cross, comical, or smug, suggesting that perhaps more than just words are lost in the translation. VERDICT This is a delightfully unique story with striking illustrations but lacks the magic of a more lyrical translation and comprehensively distinguished visuals.—Erin Reilly-Sanders, Ohio State University, Columbus

About the Author
Akiko Miyakoshi was born in Saitama, on the island of Honshu in Japan. She began creating picture books while studying visual communication design at Musashino Art University. Her first picture book, The Storm, won the Nissan Children's Storybook and Picture Book Grand Prix.

Akiko Miyakoshi was born in Saitama, on the island of Honshu in Japan. She began creating picture books while studying visual communication design at Musashino Art University. Her first picture book, The Storm, won the Nissan Children's Storybook and Picture Book Grand Prix.

Most helpful customer reviews

9 of 9 people found the following review helpful.
You'll never walk alone
By E. R. Bird
There are picture books out there that feel like short films. Some of the time they’re adapted into them (as with “The Snowman” or “The Lost Thing” or “Lost and Found”) and sometimes they’re made in tandem (“The Fantastic Flying Books of Morris Lessmore”). And some of the time you know, deep in your heart of hearts, that they will never see the silver screen. That they will remain perfect little evocative pieces that seep deep into the softer linings of a child’s brain, changing them, affecting them, and remaining there for decades in some form. “The Tea Party in the Woods” is like that. It looks on first glance like what one might characterize to be a “quiet” book. Upon further consideration, however, it is walking the tightrope between fear and comfort. We are in safe hands from the start to the finish but there’s no moment when you relax entirely. In this strangeness we find a magnificent book.

Having snowed all night, Kikko’s father takes off through the woods to shovel out the walk of her grandmother. When he forgets to bring along the pie Kikko’s mother baked for the occasion, Kikko takes off after him. She knows the way but when she spots him in the distance she smashes the pie in her excitement. Catching up, there’s something strange about her father. He enters a house she’s never seen before. Upon closer inspection, the man inside isn’t a man at all but a bear. A sweet lamb soon invites Kikko in, and there she meets a pack of wild animals, all polite as can be and interested in her. When she confesses to having destroyed her grandmother’s cake, they lend her slices of their own, and then march her on her way with full musical accompaniment.

Part of what I like so much about this book is that when a kid reads it they’re probably just taking it at face value. Girl goes into woods, hangs out with clothed furry denizens, and so on, and such. Adults, by contrast, are bringing to the book all sorts of literary, cinematic, and theatrical references of their own. A girl entering the woods with red on her head so as to reach her grandmother’s reeks of Little Red Riding Hood (and I can neither confirm nor deny the presence of a wolf at the tea party). The story of a girl wandering into the woods on her own and meeting the wild denizens who live there for a feast makes the book feel like a best case fairy encounter scenario. In this light the line, “You’re never alone in the woods”, so comforting here, takes on an entirely different feel. Some have mentioned comparisons to Alice in Wonderland as well, but the tone is entirely different. This is more akin to the meal with the badgers in “The Lion, the Witch, and the Wardrobe” than anything Lewis Carroll happened to cook up.

Yet it is the art that is, in many ways, the true allure. Kirkus compared the art to both minimalist Japanese prints as well as Dutch still life’s. Miyakoshi does indeed do marvelous things with light, but to my mind it’s the use of color that’s the most impressive. Red and yellow and the occasional hint of orange/peach appear at choice moments. Against a sea of black and white they draw your eye precisely to where it needs to go. That said, I felt it was Miyakoshi’s artistic choices that impressed me most. Nowhere is this more evident than when Kikko enters the party for the first time, every animal in the place staring at her. It’s a magnificent image. The best in the book by far. Somehow, Miyakoshi was able to draw this scene in such a way where the expressions on the animals’ faces are ambiguous. It isn’t just that they are animals. First and foremost, it seems clear that they are caught entirely unguarded in Kikko’s presence. The animals that had been playing music have stopped mid-note. And I, an adult, looked at this scene and (as I mentioned before) applied my own interpretation on how things could go. While it would be conceivable for Kikko to walk away from the party unscathed, in the hands of another writer she could easily have ended up the main course. That is probably why Miyakoshi follows up that two-page spread (which should have been wordless, but that’s neither here nor there) with an immediate scene of friendly, comforting words and images. The animals not only accept Kikko’s presence, they welcome her, are interested in her, and even help her when they discover her plight (smashing her grandmother’s pie). Adults everywhere who have found themselves unaccompanied (and even uninvited) at parties where they knew no one, and will recognize in this a clearly idyllic, unapologetically optimistic situation. In other words, perfect picture book fodder.

Translation is a delicate art. Done well, it creates some of our greatest children’s literature masterpieces. Done poorly and the book just melts away from the publishing world like mist, as if it was never there. Because I do not have a final copy of this book in hand, I don’t know if the translator for this book is ever named. Whoever they are, I think they knew precisely how to tackle it. Originally published in what I believe to be Japan, I marvel even now at how the story opens. The first line reads, “That morning, Kikko had awoken to a winter wonderland.” We are plunged into the story in such as way as to believe that we’ve been reading about Kikko for quite some time. It doesn’t say “One morning”, which is a distinction of vast importance. It says “That morning” and we are left to consider why that choice was made. What happened before “That morning” that led up to the events of this particular day? Whole short stories have been conjured from less. I love it.

If none of the reasons I’ve mentioned do it for you, consider this: On the cover of this book perches a squirrel in a bright red party dress in the crook of a tree. Tiny squirrel. Tiny red flowing gown. A detail you might easily miss the first ten times you read this book but it is there and just makes the book for me. Add in the tone, the light, the mood, and the writing itself and you have a book that will be remembered long after the name has faded from its readers’ minds. Something about this book will stick with your kids for all time. If you want something that feels classic and safely dangerous, Miyakoshi’s book is a rare piece of comfortable animal noir. No one is alone in the woods and after this book no one would want to be.

8 of 9 people found the following review helpful.
Beautiful Charcoals Carry This Evocative Tale
By Pop Bop
We follow Kikko through wintry woods to a warm and comfy tea party with unusual but very welcoming guests. The books starts with chilly scenes of winter that are captured perfectly by Miyakoshi's spare charcoal lines accented by welcome bits of expressive color. Then we enter the odd world of the mystery tea party and the drawings, (now nicely colored where appropriate), manage to convey just the right sense of awe, excitement, surprise, and good cheer.

Anthropomorphic animals are so very hard to get right, and if they don't work then the story never takes off. Here, the characters are true to their animal forms, but still perfectly inviting and "real" as characters. When this is coupled with the spare landscapes and the understated but upbeat mood, well, you end up with a book that works as a story and that works as a picture book.

The upshot is that this struck me as a mellow, atmospheric treat just right for a winter afternoon and a cup of cocoa. A nice find.

Please note that I received a free timed-to-self-destruct ecopy of this book in exchange for a candid review. Apart from that I have no connection at all to either the author or the publisher of this book.

1 of 1 people found the following review helpful.
Curious and spare, but appealing
By Ursiform
A girl runs into the woods after her father carrying the pie he has forgotten to take to her grandmother. She falls in the snow and ruins the pie. But then she finds an odd tea party of animals from the woods. They invite her to join them, and are kind to her. They contribute pieces of pie to take to her grandmother.

The illustrations are mostly black and white, with some having just a touch of color. The story is simple, but appropriate for a little one. Something a bit different, and worth looking into.

See all 37 customer reviews...

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