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Born in 1916, Henri Dutilleux is one of France's leading composers, enjoying an international reputation for his beautifully crafted works. This is the first translation into English of a series of interviews between Dutilleux and the French writer and journalist Claude Glayman which took place in 1996. Dutilleux discusses aspects of his life including his early training at the Paris Conservatoire, the German occupation of France and the time that he spent in the United States. The interviews reveal much about his music and his approach to composition, as well as the influences on his musical style. Originally published by Actes Sud in 1997, this English edition is the work of translator Roger Nichols, one of the UK's leading specialists on French music.
- Sales Rank: #6787209 in Books
- Published on: 2003-07
- Original language: English
- Dimensions: 8.75" h x 6.25" w x .75" l, .85 pounds
- Binding: Hardcover
- 176 pages
Review
'In its translated form, this book [...] is an important addition to the small corpus of English-language material on Henri Dutilleux... There is much new, valuable material here that sheds light on Dutilleux's views on life and art... The translated narrative holds together well, and is engaging throughout.' Brio '... this book deserves unqualified recommendation and may well be enjoyed even by those relatively unfamiliar with Dutilleux's richly satisfying music... Roger Nichols' very natural and readable translation.' Classical Music '... a welcome addition to the literature on this significant French composer... The strength of Glayman's study is that it is an easy-to-read account of various aspects of Dutilleux's life, which simultaneously reveals much about the context surrounding his works.' Musicology Australia 'Roger Nichols could hardly have been more appropriate to undertake the translation of the Dutilleux conversations... Nichols' translation is both accurate and elegant, preserving, for the most part, the subtle nuances (and oddities) of the original... should be considered essential reading for all scholars of French and twentieth-century music.' Notes
Language Notes
Text: English (translation)
Original Language: French
About the Author
Roger Nichols has written and broadcast widely on French music. His translations of the correspondence of Berlioz and of Debussy have been published by Faber, and his translation of Jean-Michel Nectoux's Gabriel Faure: les voix du clair-obscur was published by CUP in 1991.
Most helpful customer reviews
2 of 2 people found the following review helpful.
Almost entirely comment on the people around Dutilleux and not the details of his music
By Christopher Culver
Claude Glayman's conversations with the French composer Henri Dutilleux were originally published in 1997, with this English translation appearing in 2003. I have a growing fascination for Dutilleux's music, but these interviews didn't prove satisfying at all.
The problem is that the book doesn't really teach you anything new about Dutilleux's music, doesn't deepen one's appreciation of these beautiful but enigmatic works. For the most part, it breaks down into a chronology of Dutilleux's career that is little more than name-dropping (who commissioned this, who premiered that). There is then a discussion of the contemporary music scene that again is little more than name-dropping.
To a degree, this name-dropping is informative in that it tempers Dutilleux's reputation as an outsider in the French musical scene. As distinct as his style is, he shows himself very aware of the very latest developments in contemporary music (amazingly for a man over 80 years old at the time) and has positive things to say about e.g. Murail, Dusapin and even Boulez.
But as a source of information on the musical works, this book proved a complete waste of time.
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